Something tells me that the combination of LE and Logic could prove to be an elegant solution in terms of hosting a greater number of EXS-24 sounds, something which PB can't do. And of couse you can also host 3rd party plugs in LE as well. So if you're saying that LE and Logic can co-exist nicely together, LE would seem to have an advantage over PB. If you were to return LE's audio into Logic via Soundflower (or similar), you could use my scheme to have metering, level, panning, sends, and automation appear in a channel strip right next to the track you're recording on in Logic - and that's the whole point of my lil' system.
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You get standard Track-Based Automation on the MIDI tracks in Pro (right where you want them):Volume, Pan plus any MIDI automation (no direct level metering of the audio) With Express as a slave ( and a 16ch Soundflower return to Pro): Unless I've overlooked something important. To allow for equitable access to all users, SEC reserves the right to limit requests originating from undeclared automated tools.With individual Aux SF returns (not busses.IMHO unnecessary), you get the sends + FX slots if needed, and the metering of the audio coming backĪ quick switch of screenset takes you over to Express, which has the same look n feel ), where you can still access individual Inserts, sends (within Express or back to Pro via an SF channel). Your request has been identified as part of a network of automated tools outside of the acceptable policy and will be managed until action is taken to declare your traffic. Please declare your traffic by updating your user agent to include company specific information.įor best practices on efficiently downloading information from SEC.gov, including the latest EDGAR filings, visit sec.gov/developer.
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